Natasha Singh

Natasha Singh is an interdisciplinary artist whose research-led practice investigates patterns, symmetry, and relational systems at the intersection of embodied knowledge, computation, and cultural traditions. Her work draws from Eastern practices such as Yoga and Kolam, approaching them as rule-based, generative systems that resonate with contemporary scientific inquiry into fields, interaction, and emergence.

Working across drawing, computation, video, sculpture, sound, and kinetic media, Natasha uses tools such as computer vision, generative algorithms, and computational modelling to study how repetition, constraint, and local interactions give rise to complex global structures. In earlier projects, she translated Yogic practices into algorithmic and spatial forms using depth cameras and AI-based vision systems, exploring breath, movement, and time as dynamic systems. Across her practice, visual form is treated as the trace of an underlying structure rather than a fixed object.

Her work has been presented across both art and technology contexts, including Exhibit 320 (New Delhi), Delhi Contemporary Art Week, Art Mumbai, Sunaparanta Goa Centre for the Arts, the Indian Art, Architecture and Design Biennale (New Delhi), Vida Heydari Contemporary (Pune), IIT Bombay, IISc Bangalore, and CODAME Festival (San Francisco). Her solo exhibition, Ripple in the Ocean, was presented at Akar Prakar, New Delhi (2025). She has recently finished her media arts residency at Diriyah Art Futures, Riyadh. Her work has been featured by platforms such as Discovery Channel and VICE, and she has spoken at TEDx and British Council on art, technology, and future cultures.

She holds a Master’s degree from Central Saint Martins, University of the Arts London, and is currently a visiting faculty at IIAD and TDV, New Delhi. Her practice is driven by long-term inquiry into how inherited visual and embodied knowledge can be re-examined through contemporary computational frameworks.